Audix, the first company to release professional instrument mic pack ensembles to the market, introduces yet another exciting concept: the Band Pack! Two professional band packs, the BP5 PRO and BP7 PRO, contain five and seven piece, studio quality Audixmicrophones. Also new for 2012 are two affordable, equivalent band packs, the BP5F and BP7F. These combinations include five and seven microphones from the popular dynamic Fusion Series. The Band Packs were created with microphones that have been used by artists, engineers and sound companies for many years.
Audix continues to lead the industry in drum and percussion microphones by launching the innovative FP QUAD drum mic pack, a cost effective alternative to the highly acclaimed DP QUAD drum mic pack introduced in 2011. The FP QUAD pack is designed for use in club, rehearsal, school, House of Worship, and home recording environments.
The Audix FP QUAD drum mic pack represents the simplest, most effective combination of microphones needed to capture the depth and imaging of a full drum kit. Featuring the F6 dynamic microphone for kick drum, the F5 dynamic microphone for snare drum and two F9 condensers microphones for overhead applications, the FP QUAD effectively blends the miked sounds, accurately portraying the complete drum kit.
The F5 and F6 are high SPL (Sound Pressure Level), dynamic microphones which are brilliant for close miking and vital for capturing the attack and percussive sound of the drums. The F5 mic reinforces the depth and snap of the snare while the F6 mic delivers earthshaking lows through each strike of the kick drum. These two mics are the core of any drum kit and the foundation for every groove, making them a must-have for all drummers.
The F9 pre-polarized, condenser microphone with its 14mm gold sputtered diaphragm, is ideal for overhead applications. Depending upon the position, the F9 mic will pick up the high hats, tom fills, cymbals and ambiance of the entire drum kit. Utilization of these two overhead mics will capture the transient sounds, tonality and comprehensive balance of the kit, demonstrating that “less is more”.
Audix has also created a demonstration video for the FP QUAD. This video illustrates precise set up requirements for each individual mic complete with detailed examples of the four mics working in tandem to create a full, natural sound for both live and recording applications. The video, available at www.audixusa.com, defines the significance behind drummers maintaining control of their sound; the drummer is able to mic their kit to deliver the precise sound they want the audience to hear. Best of all, the FP QUAD video takes the mystery out of drum miking; set up becomes quick, easy and effective without compromising the sound integrity and critical presence, regardless of the room size or PA system.
The FP QUAD drum pack includes a stand adapter for each mic as well as a DFLEX rim mount clip for use with the f5 on the snare drum. Attractively packaged in a heavy duty, aluminum carrying case, the FP QUAD pack is available through authorized Audix dealers at a list price of $525.
With the release of a new three-part video series, Audix Microphones explores the basics of microphone technique for live performance.
The Audix Microphone Technique video series is essentially a microphone primer – an instruction manual for your microphone. Anyone who speaks or sings into a microphone will benefit from watching this series. The resounding message in this video series is that a vocal microphone is an important tool needed for your voice be heard. And like most tools, a microphone will work better when used properly.
This overview of microphone technique is comprised of three short videos that provide essential information that can dramatically improve a vocalist’s live performance sound. The first video serves as an introduction and covers some basic things you should and shouldn’t do when singing into a mic. The second and third videos delve deeper into live performance techniques and explore the concepts of dynamic control and proximity effect.
To help demonstrate the subject matter, Audix enlisted the help of a local, live performing band (Portland Oregon singer/songwriter Krista Herring and her band) and put them on stage; giving the viewer real-world examples of musicians using proper microphone techniques. Rather than having a vocalist demonstrate mic techniques in the studio, Audix is convinced that musicians can greatly benefit by seeing and hearing how these techniques work in context and in turn, understanding how to practically apply these strategies in live performance situations.
Although a microphone doesn’t appear to be a complicated device, a vocalist should have a solid understanding of the basics of microphone technique. Microphones are not just exclusive tools for singers; church leaders, teachers, lecturers, announcers, and anyone who speaks publicly will expand their skills as a result of this video.
Part one in a short three-part video series covering the basics of live performance microphone technique.
Audix is proud to announce the introduction of the TM1 Plus, a combination kit
which includes the TM1 measurement microphone, threaded acoustic windscreen,
shock mount clip, ½ inch calibrator adaptor and microphone calibration data on CD.
The data files are a numeric representation of the TM1 frequency response.
These, together with the provided sensitivity of the microphone, can be used with a
variety of popular software measurement systems to correct the response curve of the
microphone.
VP of Sales Cliff Castle states, “The TM1 has earned very high acceptance
amongst sound engineers and sound designers who rely on measurement systems to
properly tune a PA system for live sound venues, theatres, houses of worship, and a
wide variety of installations. Measurement software packages have become very
robust and are now able to take simultaneous measurements with multiple
microphones, allowing sound designers a very accurate picture of how the PA system is
reacting throughout a room in real time. With the TM1 Plus, customers are able to
accumulate multiple microphones, essentially creating matched sets once the data files
are input into the software measurement programs.”
The TM1 is a 6mm pre-polarized condenser microphone that is designed,
assembled and tested by Audix in Wilsonville, Oregon. The microphone features a
precision machined four stage brass body and capsule housing, low noise SMT circuit,
nickel plate finish, field replaceable parts, Switchraft ® XLR and shock absorbent
O-rings. All accessory items for the TM1 are included in the TM1 Plus to make this kit
an exceptional value. MSRP for the TM1 Plus is $450.
Audix is a leading U.S. manufacturer of high-quality microphones and powered speakers for the live sound and recording markets. For more information www.audixusa.com.
Audix continues to evolve and break new ground with the Micros Series™ with the introduction of the M1280B. Developed by Audix in 2005, the Micros Series™ are the world’s smallest condenser microphones with integrated preamp and detachable cable.
With a distinctive machined brass housing and modular threaded capsule, the M1280B is designed to handle a wide variety of live, studio and fixed install applications. Features include a smooth frequency response of 40 Hz – 20 kHz, 12mm gold vapor diaphragm, and a selection of four capsules with either cardioid, hypercardioid, omni, or a supercardioid (shotgun) polar pattern. Improvements for the M1280B include a completely discrete circuit design, extremely low noise components, recessed miniature XLR connector, and 100% immunity from RF caused by cell phones and wireless GSM devices.
The linear frequency response, low distortion levels, and wide dynamic range make the M1280B excellent for field recording and musical instrument miking.
Audix Co-Founder Cliff Castle is excited to add this new revision to the Micros family. He states, “In my opinion the M1280B is the crown jewel of the Micros Series as it represents the very finest achievement in miniature microphone technology. With this selection of the components, from the circuit board material to the brass used to CNC the machined parts; there is no compromise in quality. The manufacturing and assembly processes for the M1280B are truly impressive and happen right here in our Wilsonville, Oregon factory. “
Castle continues, “To insure that we have complete control over the even the most minute details of production, Audix has invested in a fully integrated surface mount line to handle circuit board assembly. It is no accident that the M1280B, will meet the performance demands of the most critical recording, broadcast and sound reinforcement applications. And the fact that the M1280B has such a low profile along with a wide variety of clips and accessories makes it a strong candidate for acoustic instruments and vocals of all types. In fact, when paired with the MicroBoomTM system of 24, 50, and 84 inch carbon fiber boom arms, M1280B transforms into the perfect solution for acoustic stringed instruments, overheads, and choral miking, as well as brass and woodwinds. “
The M1280B is available from authorized Audix dealers in a matte black finish at a suggested retail price ranging from $430-$470 depending on capsule. Supplied accessories include a 25’ cable, hanging mic clip, mic stand adapter and external windscreen. Audix is a leading U.S. manufacturer of high-quality microphones and powered speakers for the live sound and recording markets. For more information, contact Audix sales at (800) 966-8261, or visit us on the web atwww.audixusa.com.
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Audix, the first company to release professional instrument mic pack ensembles to the market, introduces yet another exciting concept: the Band Pack! Two professional band packs, the BP5 PRO and BP7 PRO, contain five and seven piece, studio quality Audixmicrophones. Also new for 2012 are two affordable, equivalent band packs, the BP5F and BP7F. These combinations include five and seven microphones from the popular dynamic Fusion Series. The Band Packs were created with microphones that have been used by artists, engineers and sound companies for many years.
Audix continues to lead the industry in drum and percussion microphones by launching the innovative FP QUAD drum mic pack, a cost effective alternative to the highly acclaimed DP QUAD drum mic pack introduced in 2011. The FP QUAD pack is designed for use in club, rehearsal, school, House of Worship, and home recording environments.
Audix is proud to announce the introduction of the TM1 Plus, a combination kit
which includes the TM1 measurement microphone, threaded acoustic windscreen,
shock mount clip, ½ inch calibrator adaptor and microphone calibration data on CD. 
