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Music Glossary

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Cue
1) The signal fed back to the musicians through headphones. 2) To set the tape or disc so that the intended selection will immediately play when the tape machine or player is started.3) A location point entered into a computer controlling the playback or recording of a track or tape. 4) In MCI brand tape machives, a term meaning the same thing as Sync Playback (where the record head is used as a playback head for those tracks already recorded).
cue
1. A term found throughout various audio fields meaning to monitor, or listen (via headphones) to a specific source. In mixers (particularly dj mixers) the term is used interchangeably with solo or PFL as found on recording consoles. 2. Music. a. A section of music used in film or video ranging from a short piece of background music to a complex score. b. An extract from the music for another part printed, usually in smaller notes, within a performer's part as a signal to enter after a long rest. c. A gesture by a conductor signaling the entrance of a performer or part. 3. A signal, such as a word or an action, used to prompt another event in a performance, such as an actor's speech or entrance, a change in lighting, or a sound effect.
current
Symbol i, I Electricity. a. A flow of electric charge. b. The amount of electric charge flowing past a specified circuit point per unit time, or the rate of flow of electrons. [As electrons flow in one direction, the spaces left behind, called holes, appear to flow in the opposite direction. Thus, current can be visualized as electron flow (negative current flow), or in the opposite direction, hole flow (positive current flow, sometimes called conventional current flow).]
Cursor
A visual indicator showing the position of the next entry.
Cut
1) One selection (one song) on a pre4ecorded music format. 2) A term with the same meaning as Mute (to turn off a channel or a signal). 3) To reduce gain of a particular band of frequencies (with an equalizer). 4) To not pass a particular band of frequencies (said of a filter)
Cut
To remove something, either a sound or a segment, by selecting it and choosing the cut function from the module menu. What you cut is placed on the clipboard.
Cut Time
Cut-time is indicated by 2/2 or C (with a vertical line through the middle of it) and played twice as fast as common time. The half-note note gets the accent and there are only two half-notes in the measure. This time signature is identical to "alla breve."
Cycle
1) An alternation of a waveform which begins at a point, passes through the zero line, and ends at a point with the same value and moving in the same direction as the starting point. 2) On a Solid State Logic Console, a command to have the console computer control the tape machine to play and replay a certain section of the tape.
Cycles Per Second
A unit used in the measure of frequency, equivalent to Hertz. Cycles Per Second is an outdated term replaced by Hertz in 1948.
Cyclic Redundancy Checking Code
An digital error detection code used in digital recording.
digital audio data compression
Commonly shortened to "audio compression." Any of several algorithms designed to reduce the number of bits (hence, bandwidth and storage requirements) required for accurate digital audio storage and transmission. Characterized by being "lossless" or "lossy." The audio compression is "lossy" if actual data is lost due to the compression scheme, and "lossless" if it is not. Well designed algorithms ensure "lost" information is inaudible - that's how you win the game.
Digital Millennium Copyright Act
This newly enacted law implements two global treaties designed to protect creative works in the digital era. It prohibits the manufacture and distribution of devices the primary purpose of which is to "pick" the electronic "locks" protecting copyrighted material online. This prohibition enables effective enforcement against those seeking to pirate copyrighted music online. The greatest gains from passage of this legislation will be realized internationally. This bill will serve as a model for ratification and implementation of the World Intellectual Property Organization (WIPO) treaties in other countries, where protection of sound recordings online is not sufficient. Formal U.S. ratification of the treaty package helps move the worldwide ratification effort closer to the 30 countries that must ratify the treaties for them to take legal effect. The law also includes important provisions that clarify the rights of copyright owners and the responsibilities of online service providers to guard against piracy online. In addition, the DMCA also contains critical provisions relating to the licensing of music on the Internet and amending the Digital Performance Right in Sound Recordings Act of 1995 (described below).Click here for details about Webcasting and other online legislation changes.
Digital Performance Right in Sound Recordings Act of 1995
For more than 20 years, the RIAA has been fighting to give copyright owners of sound recordings the right to authorize digital transmissions of their work. Before the passage of the Digital Performance Right in Sound Recordings Act of 1995, sound recordings were the only U.S. copyrighted work denied the right of public performance. This bill allows copyright owners of sound recordings the right to authorize certain digital transmissions of their works, including interactive digital audio transmissions, and to be compensated for others. This right covers, for example, interactive services, digital cable audio services, satellite music services, commercial online music providers and future forms of electronic delivery. Most non-interactive transmissions are subject to statutory licensing at rates to be negotiated or if necessary, arbitrated. Exempt from this bill are traditional radio and television broadcasts and subscription transmissions to businesses. The bill also confirms that existing mechanical rights apply to digital transmissions that result in a specifically identifiable reproduction by or, for the transmission recipient, much as they apply to record sales.
Digital versatile disc (DVD)
DVD audio is a high-density disc with about seven times the capacity of a CD. The extra capacity in the disc will be used to achieve a high-quality, multi-channel surround sound that is significantly better than current CDs, and may also be used to include features such as text, graphics, video and interactivity. DVD audio discs will require new players, but most, if not all, new DVD players will also play consumers’ existing CD collections.
Direct and special markets
Targeted consumer environments in which product purchases are made without physically "walking" in to obtain merchandise. Examples include purchases made through mail order, or by responding to television advertising. Some special market programs feature certain conditions or terms under which product is available. Examples include record clubs.
discreet
Marked by, exercising, or showing prudence and wise self-restraint in speech and behavior. You may want to be discreet when bussing someone.
disk
The term used for any magnetic storage media such as computer diskettes or hard disks. From Greek diskos, the term refers primarily to non-audio digital data storage, but the advent of hard disk digital audio recording systems fogs this up somewhat.
Distributor
A business operation that provides music product from record manufacturers to one stops, rackjobbers, retail and other outlets for ultimate sale to consumers. Distributors often provide marketing and promotion support to record labels and retailers.
Divestiture
Removing state investments, usually in the form of pension funds for retired state workers, from entertainment companies producing what some politicians believe is "objectionable" music. This policy threatens the First Amendment and undermines the retirement security of senior citizens by allowing politicians, instead of financial professionals, to decide how to invest state funds.
DIY
Acronym for do-it-yourself, usually referring to various hobbies, especially audio-related.
Dollar value
The monetary worth of a stated quantity of shipped product multiplied by the manufacturer’s suggested retail price of a single unit. The value of shipments is given in U.S. dollars.
Domestic market
A term used here to refer to the U.S. consumer market.
Doppler effect
[After Christian Johann Doppler, 1803-1853, Austrian physicist and mathematician who first enunciated this principle in 1842.] 1. For an observer, the apparent change in pitch (frequency) of a sound (or any wave) when there is relative motion between the source and the listener (or observer). The classic example is the train phenomenon where the pitch of the whistle sounds higher approaching and lower leaving. 2. Gave rise to the variation known as the dope-ler effect, defined as the phenomenon of stupid ideas that seem smarter when they come at you in rapid succession.
DOS
(pronounced "doss") (disk operating system) A software program controlling data in memory, disk storage, running programs and I/O management.
Dotted Rhythms
This phrase is used to describe certain rhythmic patterns resulting from alternations between long notes and shorter notes; dotted rhythms are named because the long notes in these patterns are often dotted. The distinctive quality, however, is not the dotted notes but the unevenness in playing or singing that can result. In some cases performers were told to ignore the dots altogether while in other cases performers were advised that they should also shorten the note preceding the dotted note in an appropriately proportionate manner to even out the rhythms.

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