During a shake-up of Epic Records and Sony’s restructuring Incubus slipped through the cracks and had little support. The band found themselves facing a very different and uncertain future.
We are, for the first time since 1996, we are free agents again. We’re without a record label. So what we’re kind of doing is trying to get our bearings as to what we should do next, just as a band but also as a band that is kind of off in new territory again.
The band set out to find a way to continue making music in the new paradigm. Today, you have to think and do things differently to survive.
So it was hard and it was frustrating but it was also very telling for us and perhaps educational. Because what we were forced to do was we were forced into ingenuity. And so we came up with this idea to set up shop in this art gallery in Los Angeles and do the Incubus HQ and fly listeners in from different corners of the world and do these live broadcasts on the Internet. And so we started getting these ideas about subscription-based live concerts online and it ended up being a really scary and stressful project, but the fruits of it are still kind of revealing themselves.
We have this HQ box set that we’re putting out and the DVD set comes out I think August 14 is the release date. There’s like the superfan all six nights on DVD mixed in 5.1 with the CDs and pieces of canvases that people were drawing on in the room while we were playing music. Like I said, it’s forced us to think outside of that normal music industry paradigm that we had gotten so accustomed to. And so in that sense the lack of attention from our record label and the end days of our record label relationship were really good and very beneficial for us as a band because it gave us a sense of what we might be doing in the coming years.
Linkin Park and Incubus were two of the very few bands who kind of like got a gust of wind out of the old paradigm of the music industry. But like survived out of it. There are so many bands that, bands in a traditional sense, bands who write their own music, and perform their music, that didn’t survive that transition. That fell by the wayside with the industry. So it’s been frightening to watch something that you for a very brief moment almost learned to rely on, because we learned the ins and outs of how the industry worked, you know you poured your heart out into making an album and then the label puts the record out and you go out on tour in support of the album, and we even started doing it in the van and trailer. We’d make a record and get in the van with our gear and the trailer and we’d drive ourselves around the country and sell albums and T-shirts out of the back of the trailer. That was sort of our education and then once things started going really well, thankfully, we got a sense of what it looks like when all of the, when the engine is nicely greased and things are working the way they’re supposed to.